Research
Writing & Publications
'Nonbinary Mercury and the Queer Arts of Astrology'
in The Routledge Handbook to Classics and Queer Theory (eds. Ella Haselswerdt, Kirk Ormand, and Sara Lindheim). Routledge.
forthcoming August 2023.
'Monsters and Disability: The Violence of Interpreting Bodies in Aristotle and Homer'
co-authored with Marchella Ward
in The Oxford Handbook to Monsters in Classical Myth (ed. Debbie Felton). Oxford University Press.
forthcoming 2023.
'Forging Family with Thetis: "Tentacular Thinking" and Queer Kinship in Homer's Iliad '
in The Staying Power of Thetis: Allusion, Interaction, and Reception from Homer to the 21st Century (eds. A. Khoo, D. Wright, G. Los, and M. Paprocki). Blackwell-Wiley. forthcoming April 2023.
'Forging the Anti-Lexicon with Hephaestus'
in Critical Ancient World Studies: The Case for Forgetting Classics (eds. Mathura Umachandran and Marchella Ward). Routledge.
forthcoming 2024.
'Anne Carson's Lyric Temporalities: Desire and Immortality in the Fragments of Sappho and Stesichoros'
in A Companion to Greek Lyric (ed. Laura Swift). Blackwell-Wiley. 2022.
'Hell’s Kitchen: Underworlds in Leonora Carrington’s Down Below and The Hearing Trumpet'
in The Literature of Hell (Essays and Studies, ed. Margaret Kean). Boydell & Brewer. 2021.
'Deadly Erotic Tangos and Animal Affinity'
in Anne Carson/Antiquity (ed. Laura Jansen). Bloomsbury. 2021.
‘Why does classical reception need disability studies?’
co-authored with Marchella Ward - *Editor's Choice*
in Classical Receptions Journal, Volume 12, Issue 4, October 2020, Pages 502–530.
Read for free online here (open access)
'Calling Homer's Sirens'
in Making Monsters (eds. Emma Bridges and Djibril Al-Ayad), (eds. Emma Bridges and Djibril Al-Ayad). Future Fire Publishing. 2018.
'Spectral Presences and Absences in Anne Carson's Antigonick'
in Logeion: A Journal of Ancient Theatre 4. 2014, pp. 343-363. (PDF)
Book Review of Voice and Voices in Antiquity
in Bryn Mawr Classical Review. 2017.
Current & Ongoing Projects:
in The Routledge Handbook to Classics and Queer Theory (eds. Ella Haselswerdt, Kirk Ormand, and Sara Lindheim). Routledge.
forthcoming August 2023.
'Monsters and Disability: The Violence of Interpreting Bodies in Aristotle and Homer'
co-authored with Marchella Ward
in The Oxford Handbook to Monsters in Classical Myth (ed. Debbie Felton). Oxford University Press.
forthcoming 2023.
'Forging Family with Thetis: "Tentacular Thinking" and Queer Kinship in Homer's Iliad '
in The Staying Power of Thetis: Allusion, Interaction, and Reception from Homer to the 21st Century (eds. A. Khoo, D. Wright, G. Los, and M. Paprocki). Blackwell-Wiley. forthcoming April 2023.
'Forging the Anti-Lexicon with Hephaestus'
in Critical Ancient World Studies: The Case for Forgetting Classics (eds. Mathura Umachandran and Marchella Ward). Routledge.
forthcoming 2024.
'Anne Carson's Lyric Temporalities: Desire and Immortality in the Fragments of Sappho and Stesichoros'
in A Companion to Greek Lyric (ed. Laura Swift). Blackwell-Wiley. 2022.
'Hell’s Kitchen: Underworlds in Leonora Carrington’s Down Below and The Hearing Trumpet'
in The Literature of Hell (Essays and Studies, ed. Margaret Kean). Boydell & Brewer. 2021.
'Deadly Erotic Tangos and Animal Affinity'
in Anne Carson/Antiquity (ed. Laura Jansen). Bloomsbury. 2021.
‘Why does classical reception need disability studies?’
co-authored with Marchella Ward - *Editor's Choice*
in Classical Receptions Journal, Volume 12, Issue 4, October 2020, Pages 502–530.
Read for free online here (open access)
'Calling Homer's Sirens'
in Making Monsters (eds. Emma Bridges and Djibril Al-Ayad), (eds. Emma Bridges and Djibril Al-Ayad). Future Fire Publishing. 2018.
'Spectral Presences and Absences in Anne Carson's Antigonick'
in Logeion: A Journal of Ancient Theatre 4. 2014, pp. 343-363. (PDF)
Book Review of Voice and Voices in Antiquity
in Bryn Mawr Classical Review. 2017.
Current & Ongoing Projects:
- Listening to the Monster in Greek Epic, Lyric, and Drama (monograph)
- 'Looking Back at Orpheus: Jean Cocteau's Orphic Trilogy as a Queer Re-reading of Ovid's Orpheus' (article)
- 'Singing, Cursing, Blessing: The Sonic Transformation of Aeschylus' Erinyes', forthcoming 2022 (article)